| Issue | Title | |
| Vol 4 (2020) | An Introduction to Music in Pakistan | Abstract |
| Enoch Robbins | ||
| Vol 2 (2016) | Eliza Flower: Composer and Radical | Abstract |
| Frances Kelly Norris | ||
| Vol 1 (2015) | Fennell's Vision: the 'Wind Ensemble' Concept | Abstract |
| Thomas Breeden | ||
| Vol 2 (2016) | Kecak “Monkey Chant” and Authenticity in Balinese Culture | Abstract |
| Kenan Yedidiah Baker | ||
| Vol 1 (2015) | Nobuo Uematsu: The Man behind the Music of Final Fantasy | Abstract |
| Mario Castillo | ||
| Vol 4 (2020) | Reimagination of the Requiem: From “For the Mass” to “For the Masses” | Abstract |
| Yophi Bost | ||
| Vol 2 (2016) | The Mozart Effect | Abstract |
| Sara Horton | ||
| Vol 1 (2015) | The Shape of Japanese Music Before, During, and After the Meiji Restoration | Abstract |
| Christopher Girgenti | ||
| Vol 4 (2020) | Twelve-Tone Serialism and Its Effect on Modern Audiences | Abstract |
| Kenan Baker | ||
| 1 - 9 of 9 Items | ||